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◊ I am moved by what resists capture: gestures that outlive the body, whispers the archive cannot contain, transmissions that persist through silence ◊ My artistic practice unfolds through rhythms, words, and gestures that carry meaning beyond what can be fully named ◊ The invisible is not absence, but another form of presence; silence is not emptiness, but another form of speech ◊ Through research & writing, I attend to the conditions that produce silence and invisibility within institutions, approaching the archive not as a neutral source but as a historical and political apparatus that organizes authority, belief, and distribution of attention ◊ My teaching & public engagement extend this inquiry into shared spaces of learning and critical listening, where knowledge is not transmitted as a stable object but cultivated as attention to context, (co)relations of power, and what has been rendered unseen or inaudible ◊ Across these movements, current, recent & ongoing processes gather parallel artistic researches, material experiments, archival investigations, texts, collaborations, exhibitions, and public moments that remain open, provisional, and in formation ◊